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CROP CIRCLES AND ISIS, "MISTRESS
OF THE GREAT PYRAMID" AT GIZA
Crop circles point us to the most ancient beginnings.
to what the Egyptians called Tep Zepi (approx.: "First Time"). While
at this point we might only have a crop circle and Giza pyramid connection
by way of Ishtar / Inanna, the "Mistress of the Pyramid" being clearly
identified in various ways throughout the years of crop formations,
this connection is enough to at least alert us to a need to acquaint
ourselves with the established laws, wisdom, symbols and rituals practiced
and used by the gods of the First Time. While renewal is a major theme
of the crop formations (such as the Mandelbrot formations near Cambridge
denoting transformation in the chaos theory transition function), the
annual cycle of the circles with Isis (i.e., Inanna) so intimately involved,
would suggest to us reference back to the early Pyramid Age, from which
an idea of such rebirth came. While in Egypt this took a star-monument
form (pyramid shafts point to stars of the First Time), we can look
today to the agri-symbol language of the circle makers for their rebirth
(and return) message. The Sumerian goddess of grain, Inanna, was known
in Egypt as Isis. Inanna replaced Ninharsag (the first Mistress of the
Great Pyramid) on the council of 12 of the Anunnaki ("Those Who From
Heaven Came to Earth").
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ORDER #108
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CROP CIRCLES, UFOs, AND MUSIC
An American astronomer, famous for decoding some mathematics
of the Great Pyramid at Giza, compared the diameter measurements of
some crop formations and found one ratio that stood out. It formed the
diatonic scale of music -- -- notes played by the white keys on a piano.
Witnesses to a late-night UFO craft above a field heard a series of
perfect-pitch musical notes. One of the witnesses was a musician who
later transcribed the notes. The full report of this UFO encounter is
included in this book. The author analyzed these notes and found a remarkable
match to an ancient ratio, one connected to those responsible for presenting
to us the communication system of crop circles. Copies of a 30-minute
cassette tape of these notes, played on a piano at a variety of rhythms
(none was specified in the report), is available from the author.
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